If Somaliland were a "real" country, Las Geel would be a UN World Heritage site in a heartbeat, with all the good that brings--guards and preservationists and explanations of what you're seeing--and all the bad it brings, too--tour buses and parking lots and crowds.
Instead, it has a guard, sleeping off his khat high under a tree at the police check point about a mile from the site. After several horn honks, he stumbled out from under the tree and weaved his way toward us. He took our permission form from the Ministry of Culture and $10 each (an Edna pre-negotiated rate) and attempted to raise the metal bar blocking the road. When his first attempts didn't work, he picked up a rock and gave the latch a good couple of whacks, loosening it up enough to allow him to lift it for us to pass. He stumbled back to his mat under the tree as our dust cloud swept over the check point.
A few more minutes on the winding, rocky "road" and across a dry river bed and we were at the guide's hut. As the only people there today, as soon as we were able to wake him up from his mat under the trees we had his full attention. Here's our guide:
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We began the climb up the quite steep hill to the eleven caves the paintings are scattered across.
The paintings are phenomenal, mostly of cows and dogs and canines: it's easy to see from their subject matter what was important at the time they were painted. Ironically, given its name, there is not a single picture of a camel among all the paintings. The paintings date from about 5000BC to 3000BC. Not too much else is known about them. They were only discovered in 2002 by a team of French archeologists, not surprising given how remote they are. It's unknown what was used to paint them--everything people can conceive of has been tested and none of it has been what was used. It's also not known if one person, perhaps a herder who came through often over many years, or many different people painted them. Some suggest that changing images of animals could indicate it was a ritual site.
Regardless of how they got there and who put them, they're fascinating to look at:
I didn't take this video, but I really like it. Gives you a good sense of the emptiness and somewhat desolate beauty of the place.
Made it to the top:
Not my friends. I will not even get into how unpleasant it is to remove these from your appendages.
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